Currently showing in the Exhibition “Chinese and International Visual Arts Exhibition Henan” Changsha at the Mezzi bookstore complex, curated by Ma Yiying.
Cang Xin, Li Guangbo, Li Wei , Shen Jingdong, Tie Xin , Wang Guofeng, Wu Di, Xiao Ye, Zhang Zhan, and Zhu Zhigang. From the international side Denise Keele-Bedford（Australia， Girar Bourriau (France), Carlo Bernardini (Italy), Claudio Pieronni (Italy) , Leonida De Filippi (Italy), Leonardo Cevallos (Ecuador) , Monica Lin (USA), Niamh Cunningham (Ireland) Sigurdur Gudmundsson (Iceland) and Stevens Vaughn
I was thrilled to meet several of these impressive artists at the opening recently and this blog will take a brief look at some of the artworks and a line or two about what the artist says.
Wu Xiaobin, Cang Xin, Zhu Zhigang, Monika Lin, WuDi , Li Wei, Ma YiYing, Tie Xin, Wang Guofeng
I have just returned from Changsha, Hunan for the opening of a special exhibition on December 26th. The venue was hosted by Mezzi Master bookstore complex， an interesting labyrinth of architecture with multiple levels and various layouts of stairways making the most interesting reading spaces … staircases being a metaphor for the acquisition of knowledge through reading.
The exhibition (形质与叙事) ‘Qualitative Phase and the Narrative’ or my own loose translation – A conversation on what lies beneath- opened yesterday at Dong Yue Art Museum. Curated by Liu Xuguang and Li Zhen this trienial exhibition is part of the Beijing Film Academy conference. “ The exhibition explores art as a concept and looks at the original image in the context of new media art” said academic curator Li Zhen.
curator： Liu Xuguang
academic curator: Li Zhen
artistic director: Yuan QiuLai
The Feng Huang Walk, Chinese colour & ink on paper 70x 70cm 2016 Niamh Cunningham
Currently showing work in an exhibition curated by Chang Feng in Guangzhou. Produced by Lan Hai Qi. On Paper is an ambitious project travelling many cities in China within the year and this is the final stop for 2017. (See my previous post on the Ordos exhibition ). It explores work on paper and paper related artwork. On Paper continues till Dec 30th.
Back in 2008 when I was still living in Dubai my writer/curator friend Jyoti Dhar introduced me to the Flying House . I met Hassan’s brother Abdul Raheem Sharif who founded the Flying House for contemporary Emirati artists. Back then I remember the Sharif’s doorsteps and sections of ground floors were replaced with transparent boxes encasing colourful daily objects ‘intervened’ in some way.
A huge retrospective for Hassan Sharif at the Sharjah Arts Foundation pays tribute to a pioneering experimental artist showing his diverse practice in seven different ‘Chapters’ from the 1970’s to his untimely demise in 2016 .
October was a busy month working on a challenging sculpture project with 18 impressive artists in Wudi, Shandong. This post will look at my work for this project.
Lets talk about it, Niamh Cunningham , 50x 230 x300 cm , 150 x 190 x300cm. Steel, Concrete, Steel Alloy.
十月一共19位出色的艺术家参与了无棣大型艺术田园创作项目，这里有一些他们作品的照片。我有幸结识这些艺术家，和他们一起工作，了解他们的创作，真是一大乐事。有些作品是用回收机器部件，旧自行车，工厂废弃陶瓷和其他一些材料做的。This post will show some images of the ambitious project at Wudi over the month of October. A total of 19 outstanding artists participated . It was a true pleasure to work with all of these artists and get to know them and their practice. Some of the artworks were made from recycled machinery , old bikes , rejected factory ceramic and other materials.
There are 10 international galleries showing at art:gwangju:17 at the Kim Dae Jung convention centre. I will look at two of these the Nancy Toomey Fine Art (San Francisco) and the Leyden Gallery (London).
Leyden Gallery Nancy Nancy Toomey Gallery
Next week I am going to Art Fair in Gwangju to meet the Leyden Gallery (London) and Nancy Toomey Gallery (California) .
For further information and press release please read further.
Paper : Supreme is currently showing at the Ordos Culture and Arts Centre, Inner Mongolia. The exhibition continues to September 28th 2017.
Having long been the medium that carried and spread ancient traditional culture , paper is also used in Chinese language as an adjective about life ‘Life like paper’ is used as a rather melancholic term to refer to the ups and downs of existence.
‘Compared to other media, art on paper tends to be more direct , it is both concise and immediate. Paper also permeates a national identity .’said curator Chang Feng (长风）. ‘On the other hand paper has this interesting randomness, a non-functionality and incompleteness which opens up a huge conversation’
Gratitude is also extended to Mr Xièbǎozhōng （谢宝忠） of KinYinBa who supported and hosted the exhibition. Thank you also to Mr He(贺） for facilitating the details of this project. This is an exhibition that explores all dimensions of paper and some unexpected facets of the material . For a quick overview of a portion of this collection I will present what the artists themselves say about their work.