Week 21 Ligustrum Leaves

Yellow Brick Road -sucrose series -mixed media diam 30cm Niamh Cunningham 2020 image 17.1.2020

For this week’s tree story I’m very pleased to have a contribution from environmental photographer and writer Kyle Obermann based in Chengdu. He has been working with corporate partners since 2014 to promote and support local conservation groups protecting China’s last wilderness. I met him a few years ago giving a talk about his travels through mountains and forests in China……

 

My dad loves live trees. He would tell you so in a heartbeat. We grew up planting trees in hopeless places across our yard in central Texas and our jurisdiction somehow included across the street a sundried desolate park full of thorns. We were the only kids crazy enough to play in that park and my dad was the only neighbor crazy enough to stand outside for hours each summer with a watering hose giving life like an IV to those young trees as they wilted in the heat.

One summer, I made it my mission to climb every grown tree in that park and my yard. There weren’t many, they were mostly the scraggly, single limbed, delicately curving types of live oaks that you find across other places in Texas where the soil is too hard and the sun is too hot. They didn’t make for good climbing. I don’t remember if I succeeded that summer, but I do remember sitting in one or two of them for hours at a time doing nothing but feeling the comforting itch of the bark beneath my skin and flicking at little black ants as the shadows of clouds blew through the leaves. I think every kid in a too hot, too boring summer neighborhood has discovered at least one perch in a tree that seems perfectly suited to cradle every inch of the human body.

I went back to that park a few days ago while running through my old neighborhood. Many of the trees we planted were dead, removed, and probably turned into the same mulch we once sprinkled at their bases. Others seem to have not grown an inch, still carrying on the endless task of breaking through either rocks or rock-hard soil to make precious room underground. But one, a bur oak, has exploded. It stands nearly triple the size of all the others, and only a few feet apart. I wonder what made it so different?

Below the bur oak is a porous rock. During high school I once placed an uprooted agave in it to see if it would grow. It’s still alive. Did the other trees not try hard enough or was it an unfair setup from the beginning?

There was one type of tree that always thrived. On exciting and rare summer weekends, my dad would get out his saw and go down into the ravine behind our house to cut down ligustrum. They were invasive trees that won ground either by shading out from above or sucking dry from below any nearby natives. But their branches grew straight as a rod and made the best sticks for sword fights in the backyard. My brother and I bruised many fingers smashing stripped down ligustrum swords at each other, only stopping when mom called us in for dinner a second time.

It wasn’t until I started living in Sichuan that I learned ligustrums were native to that area of China. To my shock, I started seeing ligustrums proudly displayed in parks with species name tags hung like medals around their trunks. Teams of baby pandas learned to climb on them in the Chengdu Panda Base. Girls took selfies under them, mothers tried to find their girls husbands under them, and aged couples danced under them – all the while somewhere in Texas my dad was still getting out his saw and cutting them down. But my brother and I were no longer playing with swords. Thinking of my dad at that moment, it all suddenly seemed more futile when it wasn’t as fun.

But on lonely days in Chengdu seeing ligustrums line the streets outside my apartment brought me great, speechless comfort. Everything appeared more connected – the smell of the ranmian next door, the summer watering hose, bruised knuckles, and my dad’s rusty old saw. The ligustrum leaves seemed to rustle some unintelligible answer to the question why, and even though I didn’t understand it brought me great solace to know that a multitude of swords lay just across the street of my xiaoqu should I ever come in need.

Now, I find myself suddenly back home. My dad has moved, and since his new yard is ligustrum free he’s planted three young peaches and a live oak in the middle of the sunny yard. The live oak, he tells me, is to make sure when he’s gone, developers can’t come and turn our single lot with one house and one yard into two lots with two houses and no yard. There’s some bamboo in the back. Funny how things from familiar places follow you.

Every now and then, when I go on runs in the neighborhood I’ll pass a ligustrum tree. The wind will blow, its leaves will shake, it continues to shade out and dry out surrounding plants , and I catch myself looking up to admire the straightness and sturdiness of its branches against the piercing blue Texas sky.

This tree must go, I think to myself. And then I smell ranmian, and I linger a little while longer.

Kyle Obermann May 2020

www.kyleobermannphotography.com 

Memory Palace of Trees 2020 is an ecological art practice which invites your participation to tell a story (or give some kind of information) about trees. It is a social enquiry of how to live better with the planet and with people by simply sharing stories. You are cordially invited to tell me your story of a tree or trees. (email : niamh@niamhcunningham.com) I would love to hear from you. Each week throughout 2020 a story will be posted with either an artwork already made or perhaps your story will inspire me to make a new work!

 

 

Niamh Cunningham- Bio 。。。个人简介-倪芙瑞莲
'The Pattern that Connects' is part of the Common Threads project showing at EPIC Museum Irish Emigration Museum, Dublin Feb 1- 14th


Currently Showing Oct 2022: The Sasse Museum of Art , Pomona, CA, in the US opened a photography exhibition last weekend showing a process print (23.01.2018) from my mixed media Sucrose Series "Ginkgo Palace", Niamh Cunningham 2018
The original physical sucrose plate and accompanying print on aluminium was collected at Art Beijing 2021
Promoting Connectivity through Creative Industries Sept 2022 at Yindi Art Museum, hosted by Opportunity Lab
Hair Skull recently exhibited (Oct 1st-7th 2022) at Art Plus Shanghai , the group exhibition"Linear" is curated by Chang Feng

For more information on the Hair Skull and working with DNA as an art material click HERE

Ann Derwin, Ambassador to Ireland in China with gallerist 庞春慧Peng Chun Hui at For 觅 gallery , August 2022
Currently showing - Moon Covenant
证在展出-月亮之约

Artist talk on gathering peoples tree stories before Spitoon Book Club discussion on Pulitzer prize winning novel " The Overstory" by Richard Powers
Online Catalogue launched Jan 2022 , showing Sucrose Series alongside Microbe Art
Recently exhibited in Xishuangbanna State Art Museum Dec 2021
Canal Bank Walk , Yuan Dadu Culural Relics Park Beijing
Grand Canal artist Residency and Exhibition

Her Name Penninsula Art Museum Weihai, Shandong 16 July- 22 Oct 2021

Linear….. showing at LangKong Art Museum (朗空美术馆) 07.7-30.7.21
Suzhou Couples Retreat Gardens
The Second Step – mini solo of 18 portraits in HouHai from 6.6 tp 8.8 2021
Astro World Exit Tourism – Group exhibition June 2021
Recently ART Beijing 2021 Booth B28 Irish Contemporary Art
Early stage – Sculpture project HongFangzi ShaWan Sichuan
Current Events 正在展出

即将展出:

2022 9月   谷山村中国农民丰收节暨大地艺术节

正在展出:

2022 9月   传粉者:北京西山鼓山乡村公园的再生材料雕塑

最新动态:

 

2022 6-8“月亮之约” For觅画廊,通州,北京

2022 1 来自爱尔兰的艺术家 ,线上展览 在线链接

2022 1 清华大学精准医学研究院, EBM 中心

202112“生命之律动”,西双版纳州美术馆,景洪

202112“线性”,竞衡艺术空间,上海

202110-11“中国抽象艺术”,江苏泰州

202110“相遇大运河”,通州新光大中心

20217 “线性”,798朗空美术馆,北京

20217“她的名字——存在”,半岛美术馆,威海

20216“润物细无声·艺术与遗产新解构”,苏州耦园 

2021610“万物有灵——多样之美” 艺术展与企业社会责任国际论坛,北京

20216“第二步”(小型个人展),龙头井胡同JoyBeans Space,北京

20216“天体世界:出逃旅行” 蓝色港湾KUN美术馆,北京

2021年3月4月 ART Beijing 2021

202012 艺术推动可持续未来” 中国企业社会责任国际学术研讨会, 北京泰富酒店

20209月“同生·由此及彼”,山东济宁市泗水等闲谷艺术粮仓美术馆 

20207  “沉默的爆破”,无锡外滩美术馆,江苏无锡, 7月11日至31日

2019年11月”中国 爱尔兰  MUSEu&m , 上海

*2019年11月装置中国—红房子首届国际户外装置创作营在乐山沙湾红房子开营 …开始阶段

*2019年8月*Gobi Heaven- August 戈壁。天堂-八月

*2019年7月”1919″ 爱尔兰  Sligo -Hamilton Gallery  

*2019年5月“胜日寻芳“ 山东济宁市泗水等闲谷艺术粮仓美术馆

2019年5月-16 爱尔兰大使馆布卢姆日的展览

20195-6  《一张棉花纸》   在宋庄东区玖层美术馆展出

*2019年4月-5月在匈牙利首都布达佩斯

*2019年4月”奥德赛——回归”群展2019年4月13日在东岳美术馆开幕。

*2018年11月-12月“地图与疆域”国际艺术邀请展 北京吉利学院

*2018年11月-12月“纸上·至上”展览,韩国光州市立美术馆北京创作中心

*2018, 10月中欧国当代艺术全球巡展·上海

2018, 9月-10月“纸上·至上”展览,沈阳市拓•空间,

2018, 6月-11月诗人叶芝日,爱尔兰,斯莱戈(SLIGO),汉密尔顿艺术画廊

*2018年8月 淮阴艺术馆提名展,淮安市

*2018, 8月 “纸上·至上”展览, 鄂尔多斯,

*2018 , 6月30日 济南“国际抽象艺术展”

*2018 , 6月17 日 纸上•至上2018 在青岛,

*2018 , 5月20 日存在-国际女性艺术展,湖南长沙,

*2018 , 4月21 日延缓的时间,4月21日-29日,红门画廊,798艺术区

*2018 , 4月20 日 挖掘,,和画廊,来鹏高尔夫俱乐部

*2018年4月-12日 挖掘, , 展览,悦美术馆,北京798艺术区

*2018年2月-3月深圳观澜版画艺术区,5个星期驻地项目

*2018年1月28日-3月3日,《红&果》,流浪美术馆融空间,新年主题艺术展,北京中关村融科资讯中心

*2017年12月,中外视觉艺术湖南展,湖南长沙梅溪新天地梅溪书院.

*2017年12月末至2018年1月末, 《时间之外》主题艺术展, 北京中关村融科资讯中心

*2017年12月, 形质与叙事, 形质与叙事, 东岳美术馆

 *2017年12月,广州新造当代艺术中心,纸上·至上 纸艺作品群展.

Upcoming Exhibitions:

* Gushan Rural Village Park Harvest  Autumn 2022

Current Exhibition

 

Recent  exhibitions:

2022 Moon Covenant Forgallery , Grasse Town , Beijing June- August

2022 Artists from Ireland (online) Sasse Museum of Art Pomona, CA, USA (catalogue link)

2022 Peoples’ Portraits EBM Centre, Tsinghua Uni Intelligent HealthCare, BJ

2021 Rhythm of Life Xishuangbanna Art Museum, Jinghong, Dec

2021 Linear Jingheng Art centre, Jinshan, Shanghai Dec

2021 Abstract China, Taizhou, Jiangsu Oct-Nov

2021 Meet the Grand Canal Xinguanda Centre Tongzhou, Oct

2021 Linear Langkong Art Museum 798, Beijing July

2021 Her Name – Existence Peninsula Art Museum, Weihai, July

2021 Silent and Soft -New Interpretations Suzhou classical Gardens June

2021 All things Bright CSR symposium Shangrila Hotel, Beijing June 10th

2021 The Second Step (mini solo) Joy Beans Space, Jiu Longtou hutong, June

* AstroWorld Kun Art Museum June 5 2021

*Portraits (solo) Joybeans  Hou  Hai 6.6-8.8

*River things  Suzhou Zhenyuan garden UNESCO world Heritage Training and Research centre June 12 th

*Art Beijing  2021 Booth B28  Garden of Friendship

*“Art promotes a Sustainable Future” China CSR international symposium Dec 2020.

*Silent Explosion, Wuxi Bund Art Centre, Jiangsu,  July 11-31 2020

* Sculpture project in HongFangzu , Shawan, Sichuan , begining phase Nov 2019

Current Exhibition

*China Ireland exhibition at MUSEU&m, near the Bund , Shanghai, Nov 29th 2019

* Sculpture project in HongFangzu , Shawan, Sichuan , begining phase Nov 2019

*1919 – Group Exhibition (Hamilton Gallery) in New York, Irish Consulate

*1919 – Group Exhibition Hamilton Gallery , Sligo , Ireland July – September

*Gobi Heaven Art Festival , Inner Mongolia , August 2019

*A piece of Cotton Paper  9th floor gallery Songzhuang June 15th

*”Winning the Day ‘ Granary Art Centre,  SiShui , Shandong, May – June 2019

*Beyond the form of Art , Wick Art Centre , Budapest, Hungary may 2019

*Odyssey The Return ; group exhibition at Dong Yue Art Museum, Beijing  in April

Map and Territory Art IRRCA at Beijing Geely College Nov 20- Dec 20 2018

*Thousands of Sprouts, an experimental online exhibition – by Elizabeth Ross  Nov 2018

* On Paper Supreme, Gwangju Art Museum Beijing Creative Centre Songzhuang Nov- Dec 2018

*China Europe Internaitional Contemporary Art Global Tour Shanghai Oct 2018

*An Irish Airman foresees his Death – Hamilton Gallery Sligo, Ireland June – Nov 2018

*On Paper Supreme, Extension Space, Shenyang, Liaoning,  Sept 16th – Oct 21st  2018

*Artist Nomination Exhibition, Huaiyin art gallery, Huai ‘an shi, Jiangsu, July-Aug 2018

*On Paper Supreme, Ordos Culture and Art Centre , Inner Mongolia , Aug 17th – Sept 10th  2018

*International Abstract Art , ChungChuen College, Jinan, July 2018

* On Paper Supreme, QingDao , Tiantai Art Centre, June 2018

* Existence , International Feminist Art Exhibition,  Mezzi Bookstore Art Space , Changsha

* Excavations 20 April-4th June  He Gallery, Golf Club.

*’Mortgaged Time’ 21st- 29th April at Red Gate Gallery , 798 Beijing  April 21st

*’Excavations’ 12-18th Enjoy Museum 798,  Beijing   preview 5 pm 12th April

* 5 week residency at Guanlan Printmaking base , Shenzhen (Feb-March 2018)

*Lunar New Year theme exhibition “Red Fruit” showing at Raycom IT centre, Zhongguancun,  28th Jan continues to March 3rd, organised by RoveArt , supporting the Female Protection Fund.

*Chinese & Foreign Visual Arts Hunan,  at the Meixi Academy Book Complex, Changsha Dec 26th to Jan 26th 2018.

* ‘Beyond Time’  Raycom IT Centre, Zhongguangcun, Beijing Dec – Jan 27th  2018

*”Qualitative Phase and The Narrative” Beijing Film Academy Triennial Exhibition at Dong Yue Art Museum, Beijing, curated by Li Zhen till Dec 18th 2017…………………………………………….

 

由此及彼——中(国)爱(尔兰)女艺术家邀请展 The Pattern That Connects Sept 2020
Wuxi Bund Art Centre “Silent Explosion”
My interview with Today Art Museum and Today Art Media on the COVID era

Recent Interview , click on above image April 2020

Link to newspaper coverage -Carlow Nationalist (click on image)

In Her Eyes, F&E 100x100cm acrylic on canvas, 倪芙瑞莲Niamh Cunningham 2019

Silent Explosion
‘China-Ireland’ exhibition Shanghai Nov 29th 2019

China Ireland exhibition at MUSEu&m, Shanghai , opening Nov 29th

‘Whirls in the Old’ in New York at the exhibition ‘1919’

1919-Whirls in the Old Terezin acrylic on canvas 30x30cm Niamh Cunningham 2019

Gobi Heaven Art Festival August 2019

Participating in the International Artists program for this exciting event in the Gobi Dessert

Jul.Aug 2019 Group Exhibition , Hamilton Gallery , Sligo, Ireland and also Sept 2019 at the Irish Consulate Offices , Park Ave NYC
Granary Art exhibition SiShui Shandong June 2019

Granary Art Exhibition SiSHui , Shangdong June 2019 click on image

Swim Duck Video …30 sec clip of original work recently shown at Bloomsday event at Embassy of Ireland Niamh Cunningham 2019
clip from Swim Duck video Niamh Cunningham 2019

Clip from 'Swim Duck' Video by Niamh Cunningham 2019

Group exhibition in Sishui, Shangdong 正在展出

Granary Art Museum , Sishui, Jining , Shandong

April /May 2019 in Budapest 近期展出匈牙利

Currently showing in Budapest Aprli- May 2019

Wandering Rocks series of portraits 游岩系列
Web Of Fabulous Grass – Sucrose Series Click on image for Artist Profile English &简体中文
Talk on James Joyce at Bookworm with prof Fu Hao 乔伊斯座谈会
Aritst Talk on James Joyce at Beijing Bookworm

Talk on James Joyce at Bookwork Beijing April 2019

Map and Territory project Nov -Dec 2018 at Beijing Geely University
Map and Territory

Map and Territory

Artist talk at Beijing Geely College Dec 11th 2018
-.On Paper Supreme made its final exhibition for 2018 in Beijing Songzhuang opening Nov 16th
Group exhibition Hamilton Gallery, Sligo
Hamilton Gallery Sligo - Lonely Impulse 2

A response to WB Yeats poem 'An Irish Airman Foresees his Death'

Group show Oct 27th Shanghai Bund 27 The House of Roosevelt House , the Bund Shanghai
With curator Guo Zhen at the opening of Existence in Changsha , exhibition continues till end of July 2018

和策展人郭桢在开幕式《存在》

Recent ‘At your Leisure’ Summer exhibition Jiangsu “悠游“——淮阴艺术馆
exhibited in Jinan curated by Ma Yi Ying
简体中文Artist Interview & Profile for the Art Project ‘Existence’
Group exhibition at Red Gate in April 2018 focussing on antiwar poet Ingeborg Bachmann
Niamh Cunningham 'Bachmann Girl' 2017

Artwork for poster is 'Bachmann Girl' 100x100cm Acrylic on Canvas by Niamh Cunningham 2017

Recent Posts
Excavations showing at Enjoy Museum 798 April 2018

Excavations , a cross collaborative exhibition showing contemporary art by Chinese and Irish artists , showing in Enjoy Museum, 798 , 2018.4.12

Very honoured to have Irish Ambassador Eoin O’ Leary visit Chinese New Year exhibition “Red & Fruit”

Irish Ambassador Eoin O'Leary with subway paintings at Raycom Centre exhibition Feb 2018

The Grand Canal (Hangzhou to Beijing) artist residency(August 2021) and exhibition (Oct 2021)

RTE interview on preparing for upcoming group exhibition 2 min clip

Currently showing as part of the Common Threads project, at EPIC Irish Emigration Museum , Dublin

Feb 1 -14th , 2023