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What an unusual opportunity to be able to show work at this time. ‘The Pattern that Connects ‘ is a duo exhibition with woodcut artist Ma Liangfen from Cangzhou academy of Painting , Hebei. The exhibition opened (26/9/2020) at Dong Yue Art Musuem in Chaoyangmenwai .
Thank you to Therese Healy , acting head of Mission at the Embassy of Ireland who spoke at the opening . Also to Wang YueZhou from Cangzhou Federation of Literary and Art Circles. Media figure Ms Chen Bing gracefully presented as Master of Ceremony . Thank you also to academic curator Zeng Luhong for his exhibition essay and media coverage and special gratitude to fellow artist Ma Liangfen whom I really enjoyed getting to know and learn from over the past two weeks. A big thank you to Yuan QiuLai director of Dong Yue Art Musuem with whom we had numerous cross cultural exhibitions over the past six years. The exhibition focusses on Nature , explores the human relationship with Nature and also examines aspects of the ecological emergency .
In January 2020 I began collecting written submissions on any aspect of trees for my blog “The Memory Palace of Trees” gathering stories from poets, childrens writers, dendrologists and other people across the globe. This socio-eco practice highlights the interdependence between trees and people and explores the place it might take us.
When taking some visitors yesterday on a tour of the exhibition we were talking about shared DNA , how we share 25% of our DNA with trees, Shared DNA of all lifeforms on earth are also part of the pattern that connects.
New developments on the sucrose series have extended to selected UV prints on aluminium . I have also shown some original sucroses which are not immediately easy to identify with the earlier process stages. This work visualizes the transformations that occur during crystalisation as a metaphor for the ever present ecological metamorphosis.
Tree Song Jinan, sucrose series, UV print on Aluminium 200x 100cm Niamh Cunningham 2020
There are also some figures from my 2019 Portrait series most of these have never been exhibited before.
There are also some figures from my 2019 Portrait series.
Ma Liangfen 马良分
Ma Liangfen’s expansive collection of woodcut boards cover journeys of the natural world across China. There are a number of prints on paper including some reverse colour prints where only one board was used . I asked her about her affinity to cats and she told me had no cat at home but loved observing the independence of the wild cats exploring at leisure. Other works explore unexpected thoughts and fantasies creating new worlds within the realm of reality .