Taking on the Overwhelm – Ecoliteracy in the Arts

 

Purls from the Undercut  GIF   sucrose series Niamh Cunningham 2020 

 

 

 

 

 

 

 

 

“What is the pattern that connects?”

Exploring the cultural dimensions of sustainability is a vast subject. Recently have I been introduced to the work of systems thinker the late Gregory Bateson.  Learning about “the pattern that connects” was his life’s work. He was preoccupied with why humans frequently behave in ways that are destructive of natural ecological systems. He asked questions of holistic structures such as how does it work? what works with it? what are the relationships? how does it learn? how does it think? how does it interact? In the documentary produced by his daughter Nora Bateson “An Ecology of Mind” we see how Bateson liked to look at a thing from different angles, twist it around endlessly so as not to get stuck on a singular line of thinking. If we don’t search for this pattern that connects, in our global culture, in our educational institutions, we are likely to break it and when that happens Bateson said “you necessarily destroy all quality.”

 

“The planetary emergency we are facing is a crisis of culture” said Dr Cathy Fitzgerald who presented the online course ‘Essential ecoliteracy for creatives and art professionals’.   I first met artist -researcher Cathy twelve years ago in my home town of Carlow, Ireland. Her course is packed with valuable resources, video links and readings.  Fellow artists, educators and policy makers from all over the globe met on the weekly zoom meeting ,  using the material for that week we explored ecological insights that promote paradigm shifts.  The rest of this blog will touch on only a few highlights from this course.

 

Purls from the Undercut (16.7.5.a) sucrose series Niamh Cunningham 2020

At the beginning of the course Cathy took us through some terms such as

 

The Holocene : Since the last ice age 12000 years ago the earth has experienced only small scale climate shifts.  However we have drifted from the Holocene since the Industrial revolution and are now currently in the Anthropocene.

The Anthropocene : Our current era  is where humans dominate climatic, biophysical and evolutional processes at a planetary scale.    

The Symbiocene : This term was  coined by Glen Albrecht which hints at more symbiotic relationship,  where  life thrives through interrelated mutuality between many species and we can affirm the interconnectedness of life and all living things. Albrecht also said that he saw art as a meme for the Symbiocene.

Glen Albrecht is author of the book Earth Emotions where he defines other words for our new world such as solastalgia, soliphilia, (Please see link at end of this blog for more )

 

To support people on the enormity of the work ahead one of the modules included psycho-, social and physical supports and practices. Every module had a ‘mind-body coherence’ session, a physical and mental exercise with Veronica Larrson. I also learned unexpected things like why ‘compassion’ was far more important to practice than ‘empathy’ from eco philosopher Dr. Nikos Patedakis.

 

As part of the copious resources, links and readings which were packed into each weekly module I encountered environmental activist, scholar of Buddhism, general systems theory and deep ecology author Joanna Macy.

‘That knife edge of uncertainty illicits from us our greatest creativity and courage, we need to live with sufficient realism and dignity to know that we are living with that knife edge of uncertainty.’

Putting our interconnectedness, our courage and intelligence to good use she speaks of the shift of an industrial growth society to a more sustainable civilization. That knife edge of uncertainty feels all the sharper now as we work our way through the Covid 19 era.

Purls from the Undercut (16.6.30.a) sucrose series Niamh Cunningham 2020

We also studied the UNSDG’s Sustainable Development Goals. (This module propelled me onto another online course called “Planetary Boundaries” for which I am currently learning. I hope to write an overview blog on that experience later.)  I came across an interview with Scientist Susanne Moser who also presented a positive picture for these overwhelming times and claimed one good reason to get out of bed in the morning is that we haven’t tried everything yet. “Having done miserably at communication, having done miserably at policy, having done miserably at market responses to climate change, this gives us a ton of hope because we could do so much better’ (earthisland.org)

 

 

The week we looked at Expanded Earth Ethics we considered the work of the late Scottish barrister  Polly Higgins. Ecocide is the missing piece of law to assist in reframing a system to avoid business as usual. Higgins is author of the book Dare to be Great. The term Ecocide is likely to have first appeared at the time of the American war in Vietnam. Cathy took us through some of the ideas behind the book Moral Ground edited by Kathleen Dean Moore.  We then looked at the Earth Charter. Systems thinker Fritjof Capra described it as a declaration of 16 values and principles to create a sustainable, just and peaceful world.

We then explored how others expanded their ecological art practices such as Newton Harrisons’ ten minute video Apologia Mediteranneo an evocative apology to the largest inland sea. On our final week participants presented our own socio eco practices to the group, learning a little bit more of the people who had been raising questions during the previous weekly sessions. After two weeks I am still reviewing many of the readings and links on the course referencing the renowned and also the less known movers and shakers in the world of ecological thinking and eco-social art practices.  

 

 

I would highly recommend this online course for artists and creatives and policy makers who wish to inform their practices / educational programs and policies.  

 

Here is a link to Dr Cathy Fitzgerald courses site

https://courses.haumea.ie/pages/coming_soon

 

This is a blog by Dr Fitzgerald expanding  on some of the topics above 

https://hollywoodforest.com/2019/05/10/good-bye-anthropocene-hello-symbiocene/#content-wrapper

 

Purls from the Undercut (16.7.5.a) sucrose series Niamh Cunningham 2020

 

The artwork for this blog is part of the sucrose series. The image is based on a waterfall outside Shawan, Sichuan, when visiting with other artists working on the early stages of a sculpture project in ‘Hong Fangzi’ October 2019. 

 

 

Note  my practice “Memory Palace of Trees” continues with upcoming tree story about Su Dong Po’s family residence in Meishan.   

 

Portrait Project 2019

Bachmann Girl (week19) and Friend to Many (week 32) Bloomsday event at the Embassy of Ireland Beijing June 16th 2019 (photo by Eric Favreliere )

A very Happy New Year to all. A huge thank you to all the galleries curators and collectors who have supported me throughout 2019.

Here is a quick overview of the portraits posted during 2019 . The subjects range in age from 6 months to 100 years young. I began this series when living in Prague in 2010. There are many more friends, artists, curators, family members whom I have yet to paint however for the year 2020 I will continue at a more reasonable pace , perhaps 4 or 5 portraits alongside commission work.

This blog will look at the portrait series installed in different exhibitions in 2019 and a look at the portrait for each week through the year. Also included in this blog is a curatorial statement on my portrait series by renowned curator Huang Du.

Portraits at the exhibition ‘Odyssey The Return’ at Dong Yue Art Museum Beijing April 2019
Granary Art Centre, SiShui county , Shandong, May 2019
Dancer (week 10) and Twin Song (week 8) showing at Wick Art Centre, Budapest, April 2019
From right to left :Praha Cafe (week 3) and Scoop (week 24) and others showing at China Ireland exhibition , Museu&m Expo Park , Shanghai Nov 2019


Week1 :Blazer Blue oil on canvas 50x50cm Niamh Cuningham/倪芙瑞联 2018
Week 2 Princess of Daxing 50×50 oil on canvas, Niamh Cunningham 倪芙瑞莲 2013
Week 3 : Café Praha (C.C) oil on canvas 80x60cm Niamh Cunningham/倪芙瑞莲2010

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中国爱尔兰当代艺术展上海开幕

中国爱尔兰当代艺术展11月29日在上海黄浦区半淞园路移动的头脑博物馆开幕。

Portraits by Niamh Cunningham 倪芙瑞莲的肖像画

11月29日开幕式

爱尔兰驻沪总领事特雷泽·希利在星期五晚上的开幕酒会上致辞,并介绍了五位参展爱尔兰艺术家的作品。


和爱尔兰驻沪总领事特雷泽·希利及出品人许雯在一起

和上海市对外文化交流协会孙丽萍女士交谈。孙女士特地穿了一件艾伦图案毛衣。

1 和上海市对外文化交流协会孙丽萍女士在一起

本次展览也是为庆祝中爱两国建交40周年而举办,由比利时中欧创意文化平台的许雯出品,策展人Lulu。


背景为瑞莲(Niamh Cunningham)作品“水之城–汇园“及肖像画系列
Woodblock Connoisseur CC acrylic Niamh Cunningham /倪芙瑞莲 2019

木版鉴赏家 CC acrylic Niamh Cunningham /瑞莲 2019
Friend to Many CC 100x100cm acrylic on canvas , Niamh Cunningham 倪芙 2019
Week 31: Friend to Many
许多人的朋友 CC 100x100cm acrylic on canvas , Niamh Cunningham 2019
Purple Rain LX 倪芙瑞莲Niamh Cunningham 2019
Week 41:
紫色的雨 Purple Rain LX 倪芙瑞莲Niamh Cunningham 2019

肖像画在上海世博园移动的头脑博物馆展出。

知名策展人黄笃先生为今年早些时候举办的群展“奥德赛——回归”撰文,其中写到我的肖像作品:

这种异样的绘画语言并不只是所谓形式上的突破,而是它的编造带来的是对绘画主观给以碎片化处理,并内化于心的形而上破解,实现图像与记忆交合的感知力,从而建立了新的形象叙事,达到对肖像画的重新界定。

Week 12: Little Singer /小歌唱家 oil on canvas 50x50cm Niamh Cunningham/瑞莲2013
Week 40: In Her Eyes, acrylic on canvas 100x100cm 倪芙瑞莲Niamh Cunningham
Week 40: 在她眼中、In Her Eyes, acrylic on canvas 100x100cm 倪芙瑞莲 Niamh Cunningham
Week 25: 布鲁诺、Bruno Acrylic on canvas Niamh Cunningham 2019
Week 28: Memory Palace G. 麦金尼斯女士 Guli 布面丙烯 50×50厘米 Niamh Cunningham/瑞莲 2019

与此同时,她在这样的创作中力图改造绘画的路径,截断了肖像画过于追求经典化,而是给绘画大胆注入了类似摄影的要素,使切片化形象瞬间建立起主体和语言经验的连接。

Week 24: 独家新闻Scoop -TC oil on canvas 80x 60cm Niamh Cunningham/瑞莲 2010
Week 3 : 布拉格咖啡,Café Praha (C.C) oil on canvas 80x60cm Niamh Cunningham/瑞莲2010

她运用另类绘画的方法解构已存在的诸多艺术创作规则,建立起图像和文学平行的两个世界中真实存在的交合点。

Portraits showing at Museu&m, Expo park Shanghai Nov 29th 倪芙瑞莲Niamh Cunningham
Water City Huiyuan“水之城–汇园“, 100x 300cm Oil on canvas 倪芙瑞莲NIamh Cunningham 2017

在此对所有促成展览的相关人士表示衷心感谢,感谢上海市对外文化交流协会、比利时中欧创意文化交流平台、爱尔兰驻沪领事馆,以及移动的头脑博物馆的大力支持。

下一篇博客将对各位参展艺术家的作品作简要的介绍。

Gobi Heaven- Int’l Art Show : What the Artists Say

Gobi Heaven festival August 2019

The first of the Gobi Heaven festivals was held in Bayan Nur, Inner Mongolia August 6-11 2019. This is the first of five annual festivals .

The International artist camp, curated by Suzanne Matz included various happenings alongside the exhibition hall. Apart from the indoor exhibition there were  out door art installations, impromptu art performances, music,  belly dancing, bilingual poetry happenings, rap workshop,  environmental  workshops, meditation  and visualization workshops.  I presented a workshop on Image and Memory in Space – Memory Palace workshop ….more on that in the next post.  

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Bloomsday pop up exhibition at Embassy of Ireland

Bloomsday event Embassy of Ireland Beijing portraits by Niamh Cunningham
photo by Eric Favreliere

Bloomsday celebrates an ordinary day from which an extraordinary book is based. The 16th June 1904 is the day when James Joyce’s epic modern novel ‘Ulysses’ takes place. June 16th 2019 witnessed lots of fun events at the Embassy of Ireland in Beijing with a play directed by Mario Perez, readings, improv by the Beijing Broads, photo costume booth and of course art. The NorthGateProject founders Fion Gunn, Gulistan and myself exhibited a collection of artworks. We had an exhibition Odyssey the Return in April with Ulysses as the main theme.

When the rain stopped….Bloomsday Irish Embassy event photo credit: Zhou Jian 周建

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Mappa Mundi and other 798 delights

A few months ago I was asked to arrange a walking tour of 798 by the RAS  -Beijing  (Royal Asiatic Society ) . I knew that Mappa Mundi by polymath Qiu Zhijie would be a high priority for this visit. Prof Qiu is a writer, educator and curator believes that map making produces ‘awareness’ rather than understanding. Navigating links and building connections as we develop our own perceptions may well be one of those special things that shows us what it is to be human. These particular maps explore lost meanings and hidden connections that lie outside of history and common knowledge. On Saturday morning 4th (this was the last weekend the exhibition was running) we began our voyage of discovery at the UCCA.

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