ART BEIJING 2021 Irish “Garden of Friendship” exhibition April 30 -May 3

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Welcome to ‘The Garden of Friendship’ at Art Beijing 2021, a compelling exhibition by Irish contemporary artists. Much has happened since Irish artist Maurice Quillinan organized the first ‘Youyi Visual’ event in Hangzhou in 2019.

At this unique moment, ‘The Garden of Friendship’ offers new perspectives on connections and elicits from us our greatest creativity and courage and the intriguing prospect that we can build a safer and more inclusive home.

The collection ranges from literal visual realism to conceptual abstraction with a broad language of convergence. Are the answers for our new world in transition immersed within these diverse contemporary works?

A global journey beckons. Passports and quarantines are not required. It is our ideas and endeavors which will take flight. The exhibition is arranged in two seasons. A busy season full of movement and action. Many of the artworks discover the value of functioning networks, whether in family dining rooms or in geometric grids hinting at the screen divisions on video conference calls.

There are multifaceted ecologies among them include the allegorical, infinite and shimmering. These can be seen in the quieter more reflective side of the exhibition space.  Other ecologies show oceans we know to be fragile violently crash on the shoreline.  Cutlery drawers reference our food cultures that are also in transition and demand agriculture be a force for sustainable nourishment. 
Vaccines may give us time but only art will ensure our ability to survive as it endorses the realism and dignity that recognizes our planet as a living system. This is not so much an issue of independence nor dependence nor even interdependence but learning that friendships are an important measure of humanity.
I would like to thank Irish Ambassador Ann Derwin  and all from the Embassy of Ireland  especially Jack Mc Cormack and Han Bai for their support and hard work. A huge thank you to Emily de Wolfe Pettit , Shi Yang and Michelle Feng of Peking Art Associates who installed and operated Booth B 28  as I have been physically indisposed recently. 
Madam Bi Hong, Ambassador Ann Derwin and Emily de Wolfe Pettit at the VIP preview.
 
Participating Artists  参展艺术家及作品
Helen G Blake           海伦·G·布莱克
Abigail O’Brien  阿比盖尔·奥布莱恩
Tom Climent             汤姆·克莱门特
Niamh Cunningham        瑞莲
Bernadette Doolan   伯纳黛特·杜兰
Pauline Flynn             宝琳·弗林
Maurice Quillinan     莫里斯·奎利南
Robert Ryan              罗伯特·瑞恩
Una Sealy           尤娜·西利,
皇家西伯利亚皇家艺术学院院士
Donald Teskey         唐纳德·特斯基
Samuel Walsh           塞缪尔·沃尔什
 
Bernadette Doolan  
This painting illustrates through the human, an innate strength that through life events and social connections empowers us to steady our belief in moving forward. I have always been interested in the symbolism of the red thread of fate, or invisible red thread in Asian mythology. It has influenced my work before and appears again with this painting. In this painting it shows the girl ready to play, however a little uncertain. 
www.bernadettedoolan.com
Bernadette Doolan, Steadfast, Oil on canvas, 100 x 150 cm, 2019
Pauline Flynn
My work is abstract but sometimes suggests landscape. While working on paintings I was thinking of icecaps, rocks, Ogham script (ancient Irish writing dating back to at least the 4thcentury CE), the fragility of earth, light and space. I graduated as a sculptor and later began to make painting.  I often use mixed media as well as paint in my work.
www.paulinebflynn.wixsite.com
Pauline Flynn Earthwork I, Acrylic and mixed media on canvas, 100 x 100 cm, 2019
Maurice Quillinan
In recent years I have incorporated Chinese ideograms as my primary mark making process, continuously drawing, erasing and redrawing until a logical, visual conversation becomes fleetingly tangible. The poetry of Hanshan and T.S. Eliot (my other important influence) brings the reader into the DNA of places and ideas, narratives I endeavour to engage with via a visually tactile painterly platform. www.mauricequillinan.net
Maurice Quillinan Poem 117: There is a Mist Eater, Oil on linen, 99.3 x 122 cm, 2019

 

 

Niamh Cunningham

‘The Sucrose Series’ explores transformation through crystalisation and drying of water content in mixed media. This transformation occurs on two levels. In the early stages ink is lifted from the surface with hot mixed media, particles of ink are moving and shifting as the process of drying occurs and crystallization takes place and to a certain extent the painting process continues. This layer could be the metaphor for our unique current era of the ecological emergency, being the first generation to witness climate change and the last generation to be capable of taking meaningful action. www.niamhcunningham.com

Niamh Cunningham, Meeting of the Waters -‘The Sucrose Series’,Original sucrose, mixed media, 30 x 22 cm, 2015

 

 

Helen G Blake

Blake’s work is self-referential and without a theme. Using a working method where process and contemplation are both allowed to guide the evolution of the work, she composes overtly hand-made paintings which record and examine colour conversations within accumulating pattern structures, embracing accidents, flaws and discrepancies within their rhythms. The title here is deliberately ambiguous but may be taken as a comment on how the colours and shapes were selected and arranged. www.helengblake.com

Helen G Blake, Working Together, Oil on linen, 80 x 100 cm,  2019

 

 

 

Abigail O’Brien

O’Brien works in a range of media including painting, photography, video, sculpture and embroidery. She explores ideas of tradition, religion, ritual and domesticity. Table for Two, 2019. refers to preparations being in train, for dinner with a friend or loved one. A meal cooked for you by someone else is very special and food made with love tastes delicious.

www.abigailobrien.com

Abigail O’Brien: Cutlery Drawer,  from ‘Guess Who’s Coming for Dinner No. 3’, Lambda chrome print on archival paper,  116.5 x 90 cm, Ed 1/2 & AP, 2019

 

 

Tom Climent

Tom Climent’s work investigates the borderline between abstraction and representation. His current body of work is predominantly landscape in nature, it suggests a narrative but never actually reveals what that might be. The paintings also investigate materiality and aesthetics. The layers and the mobility of the paint and textures become a witness to the thought process of their making. 

www.tomcliment.com
Tom Climent, Giant , Oil & plaster on canvas, 92 x 92 cm, 2019
Robert Ryan
Referencing post-modern, it borrows qualities from European old masters, using traditional characteristics in a modern context. Robert Ryan paints landscape, but his work cannot be described as ‘landscape painting’. Allegorical concepts including the infinity of space and time, solitude, vulnerability, fragility and the cycle of life are explored in his paintings and drawings in which a generic four-legged creature is central. This creature inhabits another world, a universal landscape. Ryan has cultivated his images, of both place and its inhabitants, into a hybrid, a non-specific and as a result the viewer is left to reflect on essential truths. This is work that ultimately celebrates the commonality between man and all other creatures – past, present and future. 
www.robertryanireland.com
Robert Ryan, Last of a Species, Oil on canvas, 61 x 76 cm, 2019
Samuel Walsh
Ver is the Latin for Spring which indicates the time of the year that the painting was
made. The Maya were a Mesoamerican, Central American civilization. The painting comes from researching the Mayan period probably through images of Mayan art and architecture. No subtitle, so it was probably a reaction to the season. Influence is not something I am aware of, but I live in and work in the world and occasionally the world taps me on the shoulder and says, look! www.samuelwalsh.com
Samuel Walsh, Vex X (Maya), Oil and acrylic on canvas, 51 x 51 cm, 2013
Una Sealy RHA
This painting chronicles a moment in time in a kitchen in Dublin, Ireland. The individuals are a diverse group of young people, some are members of a band, some are family and friends. There are 12 figures present. There are many details in the painting of typical foods, drinks, packaging and furnishings. All the characters posed for me, but not all were there at the same time, and the painting evolved organically, as a kind of time lapse, a glimpse into the lives of others.  www.unasealy.com
Oil on canvas, One of the diptych, 100 x 120 cm, 2019
Donald Teskey
For the last 40 years the focus of my work as a painter, printmaker and draughtsman, has ranged from aspects of the urban landscape to the ruggedness of the western seaboard. Working outdoors and returning to the studio to develop work on a larger scale, my images reflect the formal elements of composition; – Shape, form and fall of light, with large abstract passages and surfaces which articulate the relentless, energetic and elemental force of nature.  www.donaldteskey.com
Donald Teskey, Summer Storm, Acrylic on paper, 76 x 105 cm, 2018
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ART Beijing 2021 Booth B28 Irish Contemporary Art
Niamh Cunningham- Bio 。。。个人简介-倪芙瑞莲
由此及彼——中(国)爱(尔兰)女艺术家邀请展 The Pattern That Connects Sept 2020
Wuxi Bund Art Centre “Silent Explosion”
My interview with Today Art Museum and Today Art Media on the COVID era

Recent Interview , click on above image April 2020

Link to newspaper coverage -Carlow Nationalist (click on image)

In Her Eyes, F&E 100x100cm acrylic on canvas, 倪芙瑞莲Niamh Cunningham 2019

Silent Explosion
Recent ‘China-Ireland’ exhibition Shanghai Nov 29th 2019

China Ireland exhibition at MUSEu&m, Shanghai , opening Nov 29th

Early stage – Sculpture project HongFangzi ShaWan Sichuan
‘Whirls in the Old’ in New York at the exhibition ‘1919’

1919-Whirls in the Old Terezin acrylic on canvas 30x30cm Niamh Cunningham 2019

Gobi Heaven Art Festival August 2019

Participating in the International Artists program for this exciting event in the Gobi Dessert

Jul.Aug 2019 Group Exhibition , Hamilton Gallery , Sligo, Ireland and also Sept 2019 at the Irish Consulate Offices , Park Ave NYC
Granary Art exhibition SiShui Shandong June 2019

Granary Art Exhibition SiSHui , Shangdong June 2019 click on image

Swim Duck Video …30 sec clip of original work recently shown at Bloomsday event at Embassy of Ireland Niamh Cunningham 2019
clip from Swim Duck video Niamh Cunningham 2019

Clip from 'Swim Duck' Video by Niamh Cunningham 2019

Group exhibition in Sishui, Shangdong 正在展出

Granary Art Museum , Sishui, Jining , Shandong

April /May 2019 in Budapest 近期展出匈牙利

Currently showing in Budapest Aprli- May 2019

Wandering Rocks series of portraits 游岩系列
Talk on James Joyce at Bookworm with prof Fu Hao 乔伊斯座谈会
Aritst Talk on James Joyce at Beijing Bookworm

Talk on James Joyce at Bookwork Beijing April 2019

RTE interview on preparing for upcoming group exhibition 2 min clip
Web Of Fabulous Grass – Sucrose Series Click on image for Artist Profile English &简体中文
Artist talk at Beijing Geely College Dec 11th 2018
Map and Territory project Nov -Dec 2018 at Beijing Geely University
Map and Territory

Map and Territory

Current Events 正在展出

 

即将展出:

2021年3月4月 ART Beijing 2021

 

 

正在展出:

 

 

最新动态:

 

 

202012 艺术推动可持续未来” 中国企业社会责任国际学术研讨会, 北京泰富酒店

 

20209月“同生·由此及彼”,山东济宁市泗水等闲谷艺术粮仓美术馆

 

20207  “沉默的爆破”,无锡外滩美术馆,江苏无锡, 7月11日至31日

 

 

2019年11月”中国 爱尔兰  MUSEu&m , 上海

*2019年11月装置中国—红房子首届国际户外装置创作营在乐山沙湾红房子开营 …开始阶段

*2019年8月*Gobi Heaven- August 戈壁。天堂-八月

*2019年7月”1919″ 爱尔兰  Sligo -Hamilton Gallery  

*2019年5月“胜日寻芳“ 山东济宁市泗水等闲谷艺术粮仓美术馆

2019年5月-16 爱尔兰大使馆布卢姆日的展览

20195-6  《一张棉花纸》   在宋庄东区玖层美术馆展出

*2019年4月-5月在匈牙利首都布达佩斯

*2019年4月”奥德赛——回归”群展2019年4月13日在东岳美术馆开幕。

*2018年11月-12月“地图与疆域”国际艺术邀请展 北京吉利学院

*2018年11月-12月“纸上·至上”展览,韩国光州市立美术馆北京创作中心

*2018, 10月中欧国当代艺术全球巡展·上海

2018, 9月-10月“纸上·至上”展览,沈阳市拓•空间,

2018, 6月-11月诗人叶芝日,爱尔兰,斯莱戈(SLIGO),汉密尔顿艺术画廊

*2018年8月 淮阴艺术馆提名展,淮安市

*2018, 8月 “纸上·至上”展览, 鄂尔多斯,

*2018 , 6月30日 济南“国际抽象艺术展”

*2018 , 6月17 日 纸上•至上2018 在青岛,

*2018 , 5月20 日存在-国际女性艺术展,湖南长沙,

*2018 , 4月21 日延缓的时间,4月21日-29日,红门画廊,798艺术区

*2018 , 4月20 日 挖掘,,和画廊,来鹏高尔夫俱乐部

*2018年4月-12日 挖掘, , 展览,悦美术馆,北京798艺术区

*2018年2月-3月深圳观澜版画艺术区,5个星期驻地项目

*2018年1月28日-3月3日,《红&果》,流浪美术馆融空间,新年主题艺术展,北京中关村融科资讯中心

*2017年12月,中外视觉艺术湖南展,湖南长沙梅溪新天地梅溪书院.

*2017年12月末至2018年1月末, 《时间之外》主题艺术展, 北京中关村融科资讯中心

*2017年12月, 形质与叙事, 形质与叙事, 东岳美术馆

 *2017年12月,广州新造当代艺术中心,纸上·至上 纸艺作品群展.

Upcoming Exhibitions

*

Current Exhibition

*Silent Explosion, Wuxi Bund Art Centre, Jiangsu,  July 11-31 2020

Recent  exhibitions:

* Sculpture project in HongFangzu , Shawan, Sichuan , begining phase Nov 2019

Current Exhibition

*China Ireland exhibition at MUSEU&m, near the Bund , Shanghai, Nov 29th 2019

* Sculpture project in HongFangzu , Shawan, Sichuan , begining phase Nov 2019

*1919 – Group Exhibition (Hamilton Gallery) in New York, Irish Consulate

*1919 – Group Exhibition Hamilton Gallery , Sligo , Ireland July – September

*Gobi Heaven Art Festival , Inner Mongolia , August 2019

*A piece of Cotton Paper  9th floor gallery Songzhuang June 15th

*”Winning the Day ‘ Granary Art Centre,  SiShui , Shandong, May – June 2019

*Beyond the form of Art , Wick Art Centre , Budapest, Hungary may 2019

*Odyssey The Return ; group exhibition at Dong Yue Art Museum, Beijing  in April

Map and Territory Art IRRCA at Beijing Geely College Nov 20- Dec 20 2018

*Thousands of Sprouts, an experimental online exhibition – by Elizabeth Ross  Nov 2018

* On Paper Supreme, Gwangju Art Museum Beijing Creative Centre Songzhuang Nov- Dec 2018

*China Europe Internaitional Contemporary Art Global Tour Shanghai Oct 2018

*An Irish Airman foresees his Death – Hamilton Gallery Sligo, Ireland June – Nov 2018

*On Paper Supreme, Extension Space, Shenyang, Liaoning,  Sept 16th – Oct 21st  2018

*Artist Nomination Exhibition, Huaiyin art gallery, Huai ‘an shi, Jiangsu, July-Aug 2018

*On Paper Supreme, Ordos Culture and Art Centre , Inner Mongolia , Aug 17th – Sept 10th  2018

*International Abstract Art , ChungChuen College, Jinan, July 2018

* On Paper Supreme, QingDao , Tiantai Art Centre, June 2018

* Existence , International Feminist Art Exhibition,  Mezzi Bookstore Art Space , Changsha

* Excavations 20 April-4th June  He Gallery, Golf Club.

*’Mortgaged Time’ 21st- 29th April at Red Gate Gallery , 798 Beijing  April 21st

*’Excavations’ 12-18th Enjoy Museum 798,  Beijing   preview 5 pm 12th April

* 5 week residency at Guanlan Printmaking base , Shenzhen (Feb-March 2018)

*Lunar New Year theme exhibition “Red Fruit” showing at Raycom IT centre, Zhongguancun,  28th Jan continues to March 3rd, organised by RoveArt , supporting the Female Protection Fund.

*Chinese & Foreign Visual Arts Hunan,  at the Meixi Academy Book Complex, Changsha Dec 26th to Jan 26th 2018.

* ‘Beyond Time’  Raycom IT Centre, Zhongguangcun, Beijing Dec – Jan 27th  2018

*”Qualitative Phase and The Narrative” Beijing Film Academy Triennial Exhibition at Dong Yue Art Museum, Beijing, curated by Li Zhen till Dec 18th 2017…………………………………………….

 

-.On Paper Supreme made its final exhibition for 2018 in Beijing Songzhuang opening Nov 16th
Group exhibition Hamilton Gallery, Sligo
Hamilton Gallery Sligo - Lonely Impulse 2

A response to WB Yeats poem 'An Irish Airman Foresees his Death'

Group show Oct 27th Shanghai Bund 27 The House of Roosevelt House , the Bund Shanghai
Recent ‘At your Leisure’ Summer exhibition Jiangsu “悠游“——淮阴艺术馆
exhibited in Jinan curated by Ma Yi Ying
With curator Guo Zhen at the opening of Existence in Changsha , exhibition continues till end of July 2018

和策展人郭桢在开幕式《存在》

简体中文Artist Interview & Profile for the Art Project ‘Existence’
Group exhibition at Red Gate in April 2018 focussing on antiwar poet Ingeborg Bachmann
Niamh Cunningham 'Bachmann Girl' 2017

Artwork for poster is 'Bachmann Girl' 100x100cm Acrylic on Canvas by Niamh Cunningham 2017

Excavations showing at Enjoy Museum 798 April 2018

Excavations , a cross collaborative exhibition showing contemporary art by Chinese and Irish artists , showing in Enjoy Museum, 798 , 2018.4.12

Very honoured to have Irish Ambassador Eoin O’ Leary visit Chinese New Year exhibition “Red & Fruit”

Irish Ambassador Eoin O'Leary with subway paintings at Raycom Centre exhibition Feb 2018

Stay updated with Niamh’s work and her trips around Beijing

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Stay updated with Niamh’s work and her culture vulture trips around Beijing