中国爱尔兰当代艺术展上海开幕

中国爱尔兰当代艺术展11月29日在上海黄浦区半淞园路移动的头脑博物馆开幕。

Portraits by Niamh Cunningham 倪芙瑞莲的肖像画

11月29日开幕式

爱尔兰驻沪总领事特雷泽·希利在星期五晚上的开幕酒会上致辞,并介绍了五位参展爱尔兰艺术家的作品。


和爱尔兰驻沪总领事特雷泽·希利及出品人许雯在一起

和上海市对外文化交流协会孙丽萍女士交谈。孙女士特地穿了一件艾伦图案毛衣。

1 和上海市对外文化交流协会孙丽萍女士在一起

本次展览也是为庆祝中爱两国建交40周年而举办,由比利时中欧创意文化平台的许雯出品,策展人Lulu。


背景为瑞莲(Niamh Cunningham)作品“水之城–汇园“及肖像画系列
Woodblock Connoisseur CC acrylic Niamh Cunningham /倪芙瑞莲 2019

木版鉴赏家 CC acrylic Niamh Cunningham /瑞莲 2019
Friend to Many CC 100x100cm acrylic on canvas , Niamh Cunningham 倪芙 2019
Week 31: Friend to Many
许多人的朋友 CC 100x100cm acrylic on canvas , Niamh Cunningham 2019
Purple Rain LX 倪芙瑞莲Niamh Cunningham 2019
Week 41:
紫色的雨 Purple Rain LX 倪芙瑞莲Niamh Cunningham 2019

肖像画在上海世博园移动的头脑博物馆展出。

知名策展人黄笃先生为今年早些时候举办的群展“奥德赛——回归”撰文,其中写到我的肖像作品:

这种异样的绘画语言并不只是所谓形式上的突破,而是它的编造带来的是对绘画主观给以碎片化处理,并内化于心的形而上破解,实现图像与记忆交合的感知力,从而建立了新的形象叙事,达到对肖像画的重新界定。

Week 12: Little Singer /小歌唱家 oil on canvas 50x50cm Niamh Cunningham/瑞莲2013
Week 40: In Her Eyes, acrylic on canvas 100x100cm 倪芙瑞莲Niamh Cunningham
Week 40: 在她眼中、In Her Eyes, acrylic on canvas 100x100cm 倪芙瑞莲 Niamh Cunningham
Week 25: 布鲁诺、Bruno Acrylic on canvas Niamh Cunningham 2019
Week 28: Memory Palace G. 麦金尼斯女士 Guli 布面丙烯 50×50厘米 Niamh Cunningham/瑞莲 2019

与此同时,她在这样的创作中力图改造绘画的路径,截断了肖像画过于追求经典化,而是给绘画大胆注入了类似摄影的要素,使切片化形象瞬间建立起主体和语言经验的连接。

Week 24: 独家新闻Scoop -TC oil on canvas 80x 60cm Niamh Cunningham/瑞莲 2010
Week 3 : 布拉格咖啡,Café Praha (C.C) oil on canvas 80x60cm Niamh Cunningham/瑞莲2010

她运用另类绘画的方法解构已存在的诸多艺术创作规则,建立起图像和文学平行的两个世界中真实存在的交合点。

Portraits showing at Museu&m, Expo park Shanghai Nov 29th 倪芙瑞莲Niamh Cunningham
Water City Huiyuan“水之城–汇园“, 100x 300cm Oil on canvas 倪芙瑞莲NIamh Cunningham 2017

在此对所有促成展览的相关人士表示衷心感谢,感谢上海市对外文化交流协会、比利时中欧创意文化交流平台、爱尔兰驻沪领事馆,以及移动的头脑博物馆的大力支持。

下一篇博客将对各位参展艺术家的作品作简要的介绍。

Swim Duck- Blooms thoughts on water as he fills a kettle

Swim Duck (Qingdao still) Niamh Cunningham 2019

James Joyce included numerous lists in various parts of his book Ulysses.  Some of these lists were not meaningful but this list on water qualities is rich and diverse as it is poetic. It’s quite an intense moment of thought while filling a kettle (in the Chapter Ithaca ) , everything is magnified and heightened.

Swim Duck : Bloom’s thoughts when filling a kettle
(5 mins) . Artist : Niamh Cunningham


YouKu Link:

http://player.youku.com/embed/XNDE2MDY0OTcwMA==

Swim Duck (Taipei undersurface outdoor still ) Niamh Cunningham 2019


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爱尔兰广播电视台(RTE)新闻频道——爱尔兰人在国外

爱尔兰人在国外”(Irish Abroad)的录制,这个星期赶上了圣帕特里克周末。节目在昨天3月15日星期五RTE1播出。非常感谢电视台的Yvonne Murray和摄像师Roger Vincente Martinez,星期一的拍摄在轻松愉快中度过。

点击观看2分钟视频

RTE链接请点击这里2019.3.15

视频也可以在这里收看,选择2019年3月15日。向下滚动到这个日期,可以看见我身着绿色。

我想说说为近期展览所作的准备工作,“奥德赛——回归”是一个群展,4月举办,主题有关荷马史诗《奥德赛》和乔伊斯的《尤利西斯》。

《游岩》是一个肖像画系列,画的是我的学生、家人、朋友、艺术家、策展人,名字取自詹姆斯·乔伊斯的著名现代文学作品《尤利西斯》中的一章。更多细节,敬请期待……

Resolutions

Blazer Blue oil on canvas 50x50cm Niamh Cuningham/瑞联 2018 2

 

As this is the first Sunday of 2019 my new year resolution is to post a portrait every week. I am hoping this will push my portraits to completion and will have over 60 of these within the year. 

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The Sucrose Series- crystalisation continues to push Ink to new places.

I have been documenting the progress of the sucrose crystals in my work for a considerable time. This blog will take a look at some of the changes occurring in certain works recently exhibited at China Europe Contemporary Art Global Tour Shanghai curated by Ma Yiying and Longjingli.

Niamh Cunningham: (Photo 2018-03-21) Hui Yuan, Birds Nest, sucrose and mixed media, 20 cm diam

The crystallisation process has slowed down considerably over the past 10 months but it is still possible to see its traces as it pushes the ink within the mixed media. The ink which has been shifted by this process comes from two sources. Some of the interventions I make with this work involve ‘lifting off’ the surface ink and also I have added Chinese water colour ink to the mixed media of sugar and other secret ingredients. Continue reading

2018 On Paper ·Supreme at QingDao Tiantai Art Centre

QIngDao On Paper Supreme
‘The bright stick trapped’ sucrose on printed cotton, mixed media, 40 cm diam Niamh Cunningham 2018 On Paper.Supreme被困的明亮树枝, 印花棉上的蔗糖,混合材质,直径40厘米,瑞莲,纸上·至上

 

On Paper.Supreme 2018 series of exhibitions will tour several cities in China begins in QingDao Tiantai Art Centre this weekend. The exhibition is curated by Chang Feng and will open onJunel 17th.

 

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Guanlan Printmaking Residency – The woodcuts and other prints

 

I have just returned from Shenzhen after a very special five week artists residency. This post will look at the work I made. The next post will take a look at the printingmaking base, the people and also a look at the Printmaking Museum .

I worked in the wood cut department reworking a previous painting (Huiyuan Water City). The area is of my old neighbourhood near Olympic park with the Birds Nest in the background.

(4/30) Huiyuan woodcut , Niamh Cunningham 2018 40x 120cm

5/ 30 Step One woodcut 2018 40 x 80cm paper size Niamh Cunningham

The next work was made in response to a call for an exhibition on WB Yeats Poetry. (More information to follow)

6/6/ Impulse of Delight x3 on Yellow Niamh Cunningham 2018 35 x 90cm

Both ‘Huiyuan’ and ‘Step One’ were reduction woodcuts with 3 colours. This technique uses the same wood board for printing each colour, in this case the first cut is the darkest colour working to medium and light. The photos below show the last colour for ‘Huiyuan’ .

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