What is Microbe Art?

 

 

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Living Roots Awaken in my Hands found dust on Luria -Bertani

I like to explore the relationship between art, science and society. My work is focused on transformation and the surrounding ‘entanglements’ that constitute life and our ecosystems. I view Microbe Art as a  transformation that reflects bigger concerns such as the balance of ecosystems and working within a delicate environment.

The value of art and science is not so much about introducing technologies but to inspire new thinking and new ways of confronting the various challenges for our current world.

I first started working with the IPE (Institute of Process Engineering- Beijing) on a project developing “The Microbe Art” in December 2020. Working with Prof Xing Jianming and IPE has been a hugely positive experience . A special thank you also to Dr Peter Mu who helped me in the laboratory, he introduced the world of making growth media, autoclaving, and aseptic techniques,

 

Microbe Art invites different ways of seeing.

Microbe Art is exciting because it deals with these tiny nanomachines we don’t normally see. However, when grown in colonies under certain conditions we can witness their presence in unexpected ways.

 

 The same petridish under different light 

"Lifelights II " E coli GFP, Kocuria Rosea, White M , on LB under UV1. “Lifelights II ” E coli GFP, Kocuria Rosea, White M , on LB under UV.

2.”Lifelights I ” E coli GFP, Kocuria Rosea, White M , on LB on lightbox.

3. “Lifelights III ” E coli GFP, Kocuria Rosea, White M , on LB on dark background.

 

What are the things we feel when we look at Microbe Art?

Working in the same office as Dr Mu is Dr Yang ,  Below is Dr Yang’s plate of microbes gathered from his home , this provided Dr Mu and I with new  microbes later sequenced and identified as Kocuria Rosea , Glutamicbacter Nictoniane , and others for further work . 

“Life is a box of chocolates- you never know what you’re going to get”

Microorganisms are ubiquitous and are found from within our own bodies to the deepest oceans and frozen lakes.  They drive processes such nutrient cycling in ground and water ecosystems. Microbial activity in humans includes producing food, digesting food, reducing inflammation etc. And of course there was that popular myth, the idea that there are much more bacteria than human cells in the body but scientists have concluded it is much closer  1:1 ratio , in fact “ the numbers are similar enough  that each defecation event may flip the ratio to favour human cells over bacteria “Nature 08, Jan 2016  ( Don’t you just love the way scientists talk!)

 

The Process 


         

1.Making Luria Bertani growth media                  

2.  Autoclaving  growth media                            

3. The plates are poured and allowed to cool and solidify under UV light to help maintain a sterile environment, The

lid sitting slightly above the cooling gel reduces chances of contamination however sometimes condensation gets caught on the lid sitting above the plate, this can sometimes contaminate the gel.

 

4. Glove contamination is easier to happen than you might think

5. After using wire loops to inoculate the plates I discovered I often broke the surface of the media. I later tried sterile plastic loops which were far easier tools to manage. Of course I broke even more rules using sterile brushes, and   even using print blocks .

6. Electrophoresis shows clear and distinct bands showing PCR was successful. Microbe Art6. Electrophoreis shows clear and distinct bands showing PCR was successful.

When we identified colonies with good performance growth and colour Dr Mu  isolated the colonies a few times to make sure they were pure without other strains . This was the first time I had seen a PCR (Polymerase Chain Reaction) machine being used. After electrophoresis confirmed the PCR worked Dr Mu sent off samples for sequencing. When the sequence code results arrived,  he matched the codes using a website where we could upload the segment of sequence to match and identify the exact strain of colonies with which we were working.

 

Microbe Art Workshops at Middle School 101

Microbe Art and transdisciplinary education

Microbe Art Workshop at Middle School 101

The Microbe Art Project brought scientists from the IPE including Prof Xing Jianmin, Dr Peter Mu and Dr Yang together with Teacher Ma (a well renowned science teacher here in Beijing) to present workshops on exploring  different growth processes and developing aseptic techniques in order to create artworks  at Middle School 101. This bringing together scientists, students, and artist transcends the boundaries of individual disciplines, discovering flexible forms of learning and collaboration.

IPE scientists Dr Peter Mu, Dr Nadia Samak, Teacher Ma, myself, Prof Xing Jianmin and Dr Yang  on our first visit to Middle School 101 in the school horticultural centre December 2020

 

Microbe Art in environmental research

Microbe art will extend beyond the petri dish. Scientists at IPE and those from other institutes will be working together developing plastic degradation in art. We are aiming to develop this over the next few years. Currently there is an ongoing academic research project spanning many countries and universities on plastic degradation. We are aiming to collaborate in such projects. I believe Microbe Art will be useful in developing popular science, cross discipline education  and extracurricular activities for middle schools . This is also important as we address the ecological emergency as we develop microbial art in plastic degradation and many other areas as we prepare for an ecologically safe living space for humanity and all living things.

 

 

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This was my “Year of the OX post” made on my blog earlier this year

 

The year of the Vaccinae, CW  on Luria Bertani agar on lightbox, Niamh Cunningham 瑞莲 2021

Vaccinus is a latin adjective meaning ‘from cows’ (the word vacca meaning cow). At the end of the 18th century English physician Edward Jenner injected cowpox material to increase immunity protecting against the more serious small pox. The injection itself was called vaccination.

 

 

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#4 Old Ash – a real survivor- Memory Palace of Trees

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For this video we find ourselves in a lush green field in Ireland . 

 

This tree story comes from artist Gillian Cussen in county Cork, Ireland.

 

Hello My name is Gillian Cussen

and I am in county Cork Ireland

And it’s a grey and a green day here

I’ve chosen this old ash tree for my tree story today

I believe this tree is a real survivor

This tree plus a neighbouring birch are the only two trees left in this big field

Which once had a lot of trees but due to modern agricultural practices

unfortunately most of them are gone.

But this tree houses a lot of plants and insects and animals I am sure .

Really beautiful and rich mosses it also has unfortunately some barbed wire

But it has lots of ivy too.

And even stones embedded in it.

This is indeed a survivor

A really beautiful tree.

 

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Gillian is a fellow artist whom I met last year on online, we were both studying a course  “ Eco literacy in the Arts” by Dr Cathy Fitzgearld. 

 

 

 

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Open Call for your tree story on video 

Memory Palace of Trees is socio- ecological art practice which invites your participation to tell a story (or give some kind of information) about trees. It is a social enquiry of how to live better with the planet and with people by sharing tree stories. 

Memory Palace of Trees will continue in 2021. This year the submissions are in the form of video. If you have a story you can tell in less than a minute (under 60 seconds), please find your favorite tree and video yourself on your phone telling the story. I can help with adding the English or Chinese subtitles.  Please ensure the sound quality of your recording is as clear as possible. If you have any questions please ask. 

Really looking forward to hearing from you. 

I can be contacted on the last page “Enquire” or directly on this platform. 

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#1 Empty Tendrils- Memory Palace of Trees

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I am so very happy to begin the tree stories on video for the Memory Palace of Trees.

Artist Yvette Stride talks about her favourite tree in Shunyi. 

….the way they hold the rain , like tear drops after a storm …

 

 

Hi my name is Yvette Stride and this is my tree story .

My tree lives on the banks of a canal in Shunni  near where I live ..in Beijing .

And this is my tree .

What I love about this tree is the empty tendrils that you can see ,

The way they hold the rain like tear drops after a storm .

It reminds me of the joys and pains of life, regeneration, healing after suffering

And all that we are, to make ourselves ourselves in this life, all that we experience.

And that is my tree story.

 

Yvette Stride next to her Tree

 

 

 

 

Open Call for your tree story on video 

Memory Palace of Trees will continue in 2021. This year the submissions are video format. If you have a story you can tell in less than a minute (less than 60 seconds), please  find your favorite tree and video yourself  on your phone telling the story. I can help with adding the English or Chinese subtitles.  Please ensure the sound quality of your recording is clear or as clear as possible . Please ask if you have any questions about this. 

Looking forward to hearing from you.   I can be contacted on the last page “Enquiry ”  or directly on this platform. 

 

 

 

 

 

 

 

Memory Palace of Trees -the videos……. a call for your tree story

 

Welcome to the Memory Palace of Trees, a place where you can share your tree story.

It has been a tough year and many of us have remeasured our relationship with nature, both as individuals and as a global society .

Throughout the pandemic I have collected tree stories from people all over the world, including poets , painters , a  forester, a  dendrologist , artists, a children’s writer  and all kinds of other people .

 You can see  last years collection of stories in Memory Palace of Trees 2020 here .

This year the tree stories are in the form of a one minute video.

 

If you have a tree story to share I would love to add it to the Memory Palace of Trees 2021.  I can add Chinese/English  subtitles to your video.

If your tree story is later selected for future exhibitions or installations I will contact you to let you know.

Take some time to think about what you want to say , find a good tree to sit under and share your story.  Just to let you know under 60 seconds is a very short time!

I can be contacted directly on this platform or on the last page the enquiry page on my website.

 

Really looking forward to hearing from you .  Please ask if you have any questions about this. 

 

Memory Palace of Trees is a socio -ecological art practice which invites your participating to tell a story (or give some kind of information) about Trees. It is a social enquiry of how to live better with the planet and with people and other living beings. You are cordially invited to tell me your story of a tree or trees.  I would love to hear from you .

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Memory Palace of Trees – an overview

 

Web of fabulous grass, sucrose series, Niamh Cunningham 2018 

Memory Palace of Trees:

In October 2019  after reading the Pulitzer prize winning book ‘The OverStory’ by Richard Powers I started my plans for the socio-eco art practice ‘The Memory Palace of Trees’. It began in January 2020 at a time when the pandemic was just about to reveal itself as the most urgent global emergency of our lifetime. The pandemic is very much part of our ecological crisis and how we ‘utilize’ the natural world.  Throughout a most turbulent year, people worldwide have reappraised their relationship and dependance on the natural world. Many have turned to nature to claim a space of sanctity and sanity and some people have shared their stories with us in the Memory Palace of Trees.  

Gingko Palace  Sucrose Series 83 x 120 cm print on Aluminium  Niamh Cunningham 2020 (week 15)

Most of these are personal stories.  Submissions came from a range of different people in the US, Europe, Australia and Asia including a children’s writer, poets, dendrologists, artists, a dancer, a forester, an ant forest app user, photographers, academics and more

Ginkgo Palace UV print on Aluminium 80 x 120 cm  Niamh Cunningham  2020 

…..many of these stories inspired the makings of new artworks .

 

Here is a one minute video clip of the artwork for the November tree story . 

Ladybird of DongXiaokou (6 min 40 secs) video Niamh Cunningham 2020   Dancer: Zhang Yi , Music Credit: Ciorras 

 

I want to say a huge THANK YOU to ALL contributors and I will be in contact soon to thank each of you properly. Your stories will act as important stations (or installations) in the Memory Palace of Trees and will be a part of larger future artworks

 

 

 

The Second Beech  Niamh Cunningham 倪芙瑞莲2020 (week 17 of the Memory Palace of Trees)

Ice Willow , Sucrose 8.7.2020 Print on Aluminium , Niamh Cunningham -Kosimas Willow Story 

 

 

 

Chestnut – Park Tree Sucrose Series original Sucrose 50 x 50 cm  Niamh Cunningham 2020 (week 12)

 

 

 

What is a memory palace?

This is a map of a physical space with ‘stations’ containing information you want to remember, these stations are arranged in a linear journey . Here is a link to a  blog from last year  : Journey Image and Space the Memory palace workshops.

 

Open Call for your tree story on video 

Memory Palace of Trees will continue in 2021. This year the submissions will be in video format. If you have a story you can tell in less than a minute (less than 60 seconds), please  find your favorite tree sit under it and video yourself  on your phone telling the story. I can help with the editing and add the English or Chinese subtitles.  Please ensure the sound quality of your recording is clear.  If you are in Beijing I can come and video you if you wish. Please ask if you have any questions about this. 

Looking forward to hearing from you.  Please email me at niamh@niamhcunningham.com

 

 

Jinan Tree Song  Sucrose Series, print on aluminium 158 x 120cm  Niamh Cunningham 2020