The other side of being a head model–Tsinghua Uni Sculpture class

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Students at Tsinghua  University  Sculpture workshop. 

Having sat for four sessions this week for clay sculpture class of Prof Pan Yiqun at Tsinghua, it was a good exercise for me to learn to sit still for a change. My friend Pan Yiqun has been a long time participating artist with the annual Irish Wave exhibitions, even before I joined  many years ago.

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The class was a mixture of  first year painting and printing students. Once the class started, within the first hour all I could see was a room full of Pinocchio clays. The students were transforming an old sculpture paring it back from the Chinese model of the previous week to a western one (yours truly). Of course the nose was the first thing to be worked on. I tried not to laugh to myself as I continued to sit. I’m not sure why I found it funny but I did and I was glad of it. The students at break chatted and practiced their English using words like high nose bridge, another student also pointed out the eyelid folds.

It was a happy productive silence for hours with patting using small wooden boards, pushing and pulling with hands and fingers, the silence broken with a muted occasional joke. I also enjoyed watching other people seeing and studying what is in front of them. How they walked the room and caught the model and their own work in the same field from different perspectives. At one point one student was almost on the ground looking up. Of course the old snapshots by phone were inevitable but only for a few students.

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I was trying to be as professional as possible holding the tilt of the head using fixed points of vision of the line of my cheek with the edge of the chair so I could easily recalibrate my position. Alas towards the end of one session I let myself down. Even though I successfully fought it off for a few times I felt myself nod off. I woke up with a start nearly jumping off the chair and off the platform. I had been doing so well up to that point. The down side to being relaxed is that the mouth becomes more downturned and now all the clays were big noses with growling mouths.

The next morning I set out to amend this anomaly and started out with a deliberate smile but it somehow faded back to the growl again.4

Throughout the sessions the Pan Yiqun would walk through the room to advise and direct. Paring a piece here adding a piece there or explaining some observation. Most of the time I could only understand from the hand movements as he spoke.

The fourth and final session ended very lively with the destruction of the clays as all the models were to be taken apart and armature stripped bare. There was such joy in the destruction it made me think of the frequent desire the artist has to destroy work and how it becomes so compelling and the release in letting it go.
This goes far beyond simply getting rid of something you made. I began to wonder about why it felt empowering. Maybe it involves the notion of ownership, having constructed and destructed, the ownership stays with the artists.

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After the last class Pan Yiqun treated a group of the students and myself to a delicious lunch at one of the campus restaurants. All that construct/destruct is hungry work.

 

On a final note,

I was invited to have a look Pan Yiqun’s studio. Here is Pan Yiqun’s clay model before going to foundry. This is part of a project that addresses the issues of the so named “comfort women” . Pan Yiqun  clay model for Comfort women project in KoreaHe brought the final cast to Korea for a project there recently. A couple of months earlier the Korean artist came to his studio to  work side by side with him on smaller maqettes showing here in the centre of the photo.

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Niamh Cunningham- Bio 。。。个人简介-倪芙瑞莲
Link to newspaper coverage -Carlow Nationalist (click on image)

In Her Eyes, F&E 100x100cm acrylic on canvas, 倪芙瑞莲Niamh Cunningham 2019

Recent ‘China-Ireland’ exhibition Shanghai Nov 29th 2019

China Ireland exhibition at MUSEu&m, Shanghai , opening Nov 29th

Current Sculpture project HongFangzi ShaWan Sichuan
‘Whirls in the Old’ in New York at the exhibition ‘1919’

1919-Whirls in the Old Terezin acrylic on canvas 30x30cm Niamh Cunningham 2019

Gobi Heaven Art Festival August 2019

Participating in the International Artists program for this exciting event in the Gobi Dessert

Group Exhibition , Hamilton Gallery , Sligo, Ireland
Granary Art exhibition SiShui Shandong June 2019

Granary Art Exhibition SiSHui , Shangdong June 2019 click on image

Swim Duck Video …30 sec clip of original work recently shown at Bloomsday event at Embassy of Ireland Niamh Cunningham 2019
clip from Swim Duck video Niamh Cunningham 2019

Clip from 'Swim Duck' Video by Niamh Cunningham 2019

Group exhibition in Sishui, Shangdong 正在展出

Granary Art Museum , Sishui, Jining , Shandong

April /May 2019 in Budapest 近期展出匈牙利

Currently showing in Budapest Aprli- May 2019

Wandering Rocks series of portraits 游岩系列
Talk on James Joyce at Bookworm with prof Fu Hao 乔伊斯座谈会
Aritst Talk on James Joyce at Beijing Bookworm

Talk on James Joyce at Bookwork Beijing April 2019

RTE interview on preparing for upcoming group exhibition 2 min clip
Web Of Fabulous Grass – Sucrose Series Click on image for Artist Profile English &简体中文
Artist talk at Beijing Geely College Dec 11th 2018
Map and Territory project Nov -Dec 2018 at Beijing Geely University
Map and Territory

Map and Territory

Current Events 正在展出

 

即将展出:

*2019年11月装置中国—红房子首届国际户外装置创作营在乐山沙湾红房子开营 …开始阶段

 

正在展出:

2019年11月”中国 爱尔兰  MUSEu&m , 上海

 

最新动态:

*2019年11月装置中国—红房子首届国际户外装置创作营在乐山沙湾红房子开营 …开始阶段

 

*2019年8月*Gobi Heaven- August 戈壁。天堂-八月

*2019年7月”1919″ 爱尔兰  Sligo -Hamilton Gallery  

*2019年5月“胜日寻芳“ 山东济宁市泗水等闲谷艺术粮仓美术馆

*2019年4月-5月在匈牙利首都布达佩斯

*2019年4月”奥德赛——回归”群展2019年4月13日在东岳美术馆开幕。

*2018年11月-12月“地图与疆域”国际艺术邀请展 北京吉利学院

*2018年11月-12月“纸上·至上”展览,韩国光州市立美术馆北京创作中心

*2018, 10月中欧国当代艺术全球巡展·上海

2018, 9月-10月“纸上·至上”展览,沈阳市拓•空间,

2018, 6月-11月诗人叶芝日,爱尔兰,斯莱戈(SLIGO),汉密尔顿艺术画廊

*2018年8月 淮阴艺术馆提名展,淮安市

*2018, 8月 “纸上·至上”展览, 鄂尔多斯,

*2018 , 6月30日 济南“国际抽象艺术展”

*2018 , 6月17 日 纸上•至上2018 在青岛,

*2018 , 5月20 日存在-国际女性艺术展,湖南长沙,

*2018 , 4月21 日延缓的时间,4月21日-29日,红门画廊,798艺术区

*2018 , 4月20 日 挖掘,,和画廊,来鹏高尔夫俱乐部

*2018年4月-12日 挖掘, , 展览,悦美术馆,北京798艺术区

*2018年2月-3月深圳观澜版画艺术区,5个星期驻地项目

*2018年1月28日-3月3日,《红&果》,流浪美术馆融空间,新年主题艺术展,北京中关村融科资讯中心

*2017年12月,中外视觉艺术湖南展,湖南长沙梅溪新天地梅溪书院.

*2017年12月末至2018年1月末, 《时间之外》主题艺术展, 北京中关村融科资讯中心

*2017年12月, 形质与叙事, 形质与叙事, 东岳美术馆

 *2017年12月,广州新造当代艺术中心,纸上·至上 纸艺作品群展.

Upcoming Exhibitions

* Sculpture project in HongFangzu , Shawan, Sichuan , begining phase Nov 2019

Current Exhibition

*China Ireland exhibition at MUSEU&m, near the Bund , Shanghai, Nov 29th 2019

*1919 – Group Exhibition (Hamilton Gallery) in New York, Irish Consulate

*1919 – Group Exhibition Hamilton Gallery , Sligo , Ireland July – September

Recent  exhibitions:

*Gobi Heaven Art Festival , Inner Mongolia , August 2019

*A piece of Cotton Paper  9th floor gallery Songzhuang June 15th

*”Winning the Day ‘ Granary Art Centre,  SiShui , Shandong, May – June 2019

*Beyond the form of Art , Wick Art Centre , Budapest, Hungary may 2019

*Odyssey The Return ; group exhibition at Dong Yue Art Museum, Beijing  in April

Map and Territory Art IRRCA at Beijing Geely College Nov 20- Dec 20 2018

*Thousands of Sprouts, an experimental online exhibition – by Elizabeth Ross  Nov 2018

* On Paper Supreme, Gwangju Art Museum Beijing Creative Centre Songzhuang Nov- Dec 2018

*China Europe Internaitional Contemporary Art Global Tour Shanghai Oct 2018

*An Irish Airman foresees his Death – Hamilton Gallery Sligo, Ireland June – Nov 2018

*On Paper Supreme, Extension Space, Shenyang, Liaoning,  Sept 16th – Oct 21st  2018

*Artist Nomination Exhibition, Huaiyin art gallery, Huai ‘an shi, Jiangsu, July-Aug 2018

*On Paper Supreme, Ordos Culture and Art Centre , Inner Mongolia , Aug 17th – Sept 10th  2018

*International Abstract Art , ChungChuen College, Jinan, July 2018

* On Paper Supreme, QingDao , Tiantai Art Centre, June 2018

* Existence , International Feminist Art Exhibition,  Mezzi Bookstore Art Space , Changsha

* Excavations 20 April-4th June  He Gallery, Golf Club.

*’Mortgaged Time’ 21st- 29th April at Red Gate Gallery , 798 Beijing  April 21st

*’Excavations’ 12-18th Enjoy Museum 798,  Beijing   preview 5 pm 12th April

* 5 week residency at Guanlan Printmaking base , Shenzhen (Feb-March 2018)

*Lunar New Year theme exhibition “Red Fruit” showing at Raycom IT centre, Zhongguancun,  28th Jan continues to March 3rd, organised by RoveArt , supporting the Female Protection Fund.

*Chinese & Foreign Visual Arts Hunan,  at the Meixi Academy Book Complex, Changsha Dec 26th to Jan 26th 2018.

* ‘Beyond Time’  Raycom IT Centre, Zhongguangcun, Beijing Dec – Jan 27th  2018

*”Qualitative Phase and The Narrative” Beijing Film Academy Triennial Exhibition at Dong Yue Art Museum, Beijing, curated by Li Zhen till Dec 18th 2017…………………………………………….

 

-.On Paper Supreme made its final exhibition for 2018 in Beijing Songzhuang opening Nov 16th
Group exhibition Hamilton Gallery, Sligo Ireland,
Hamilton Gallery Sligo - Lonely Impulse 2

A response to WB Yeats poem 'An Irish Airman Foresees his Death'

Group show Oct 27th Shanghai Bund 27 The House of Roosevelt House , the Bund Shanghai
Recent ‘At your Leisure’ Summer exhibition Jiangsu “悠游“——淮阴艺术馆
exhibited in Jinan curated by Ma Yi Ying
With curator Guo Zhen at the opening of Existence in Changsha , exhibition continues till end of July 2018

和策展人郭桢在开幕式《存在》

简体中文Artist Interview & Profile for the Art Project ‘Existence’
Group exhibition at Red Gate in April 2018 focussing on antiwar poet Ingeborg Bachmann
Niamh Cunningham 'Bachmann Girl' 2017

Artwork for poster is 'Bachmann Girl' 100x100cm Acrylic on Canvas by Niamh Cunningham 2017

Excavations showing at Enjoy Museum 798 April 2018

Excavations , a cross collaborative exhibition showing contemporary art by Chinese and Irish artists , showing in Enjoy Museum, 798 , 2018.4.12

Very honoured to have Irish Ambassador Eoin O’ Leary visit Chinese New Year exhibition “Red & Fruit”

Irish Ambassador Eoin O'Leary with subway paintings at Raycom Centre exhibition Feb 2018

Stay updated with Niamh’s work and her trips around Beijing

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Stay updated with Niamh’s work and her culture vulture trips around Beijing